CHRIS POOVEY MUSIC
  • Home
  • Music
  • Software
  • About
    • Press Kit
    • CV
  • Writing
  • Other Artists

Works

These works rooted in the traditions of experimental electroacoustic music which use many custom tools used to design unique soundscapes.  I try to create cohesive sounds worlds in my works by using connected sounds and processes to best express the idea of a work. 

Inside a Mirage of Vertu | Listen Here

  • Spatial audio work that features granular spatial audio features present in my Grainflow package for Max. 
  • Piece is about fuzzy reinterpretations of material over slow amounts of time that is reminiscent of an AI generated infinite zoom image
  • Sounds designed in Max and then arranged in a DAW
  • Binaural Mixdown of a 5th order ambisonics work 
  • Good example of granular sampling and granular synthesis techniques
  • Good Spots: 2:00, 4:15, 7:00

Forged Effervescence | Listen Here

  • Stereo work created with my VST Bellforge that was created using cSound Cabbage 
  • Uses modal synthesis with different filters and inputs to generate all sounds in the work 
  • Focuses on envelope shapes of different bell sounds (strikes, rolls, bowing) 
  • Good Spots: The start, 4:30, 7:30

Vessels Spellbook in the House of Hearts, Spell 76 | Listen Here

  • Part of the VR opera ​Vessles Spellbook in the House of Hearts
  • Realtime interactive electronics in Max for viola, bass flute, and soprano. 
  • Sounds and processes all based on ideas of water
  • Good Spots: 2:05, 5:30

  • Home
  • Music
  • Software
  • About
    • Press Kit
    • CV
  • Writing
  • Other Artists